Reviews by TrekMedic

War is hell. And it's a living hell, as seen through the eyes of green-as-grass newbie typist-cum-tanker, Norman. The good guys aren't always the winners and the bad guys aren't always what they seem. It is also, to my recollection, the first time a movie showed Hitler's Germany, in it's death throes, utilizing (and brutalizing) the Third Reich's children - Hitler's last gasp at surviving the war, and the depiction is utterly, heinously real. This particular story isn't based on actual events, but rather the combined recounting of the men of the 2nd Armor Division. Unlike "Saving Private Ryan," where the actions of many saved the life of one, the actions of Sherman Tank "Fury," commanded by Wardaddy Collier and her crew, helped pave the way the final victory over Germany. If your heart isn't pounding in your chest by the end, you need to have your pulse checked!

From the two episodes I've already watched, it's really lightweight fluff and not really impressing me. Casey Wilson so far has been a big disappointment: she's taken her Penny role from Happy Endings and turned up the "ah-maa-zing" shtick to a wholly annoying shrill! She needs to turn it down quite a bit, leave Penny behind and move into her new role if this show has any hope of making it to May 2015.

I'm really conflicted about this show: on the one hand, it's a period piece/soap opera based on the rarely touched-upon story of the Salem Witch Trials hysteria AND it doesn't involve vampires and werewolves!! However, the unrelenting gore for what the producers must think is "edgy" shock value is completely unnecessary and undermining a good plot.

Wasn't Twin Peaks supposed to be in Idaho, too? Something weird, other than potatoes, must be growing in that state!

One of the first things I look forward to making during the fall, when the proper type of apples come into season.

I've always had a soft spot for Hollywood in the 50s and the 50s-era LAPD in articular, so this movie satisfies two things for me.
The movie itself was never the big hit (or financial windfall) that was promised. I think it was because the pre-production press featured Ben Affleck's role as George Reeve, when the bulk of the movie was centered around up-and-comer Adrien Brody's role as a down-at-the-heels PI Louis Simo and his investigation into Reeve's controversial death. SPOILER ALERT - Affleck's role is Reeve's life in flashback and minimal.
The plot, told through Simo's eyes, is surprisingly straight forward: George Reeve, former star of TV's Superman, died after a party under suspicious circumstances. As in the true story upon which the movie is based, many of the leads (and subplots) lead nowhere and in the end, the true cause of Reeve's death was never wholly resolved. The truer victim: truth at the hands of the Hollywood studio system.

Looks like scrapple in a bowl! But, of course, it isn't scrapple because scrapple is a pork porridge and Weetabix is a whole-grain cereal.

Wait? This isn't the band from the 70s???? What kind of sick joke is this? And have I reached 100 characters yet or do I have to stretch this gag out a few more words?

A classic Mamet movie with all the snappy dialogue, industry insides, and timing you come to expect from him. Philips Seymour Hoffman and William H Macy were true standouts in the ensemble cast.

Along with Vancouver-based "Cold Squad," this was one of two great police procedurals chock full of damaged characters dealing with humanity's worst side. Not one to close each case neatly with a bow and ribbon, the bad guys didn't always end in jail, the good guys bent, broke and/or outright mutilated the rule of law, but in the end, each character had to deal with their own private "Heart of Darkness." It's really a shame it ended and morphed into the horrible Da Vinci's City Hall.